Musicians are more consistent: Gestural cross-modal mappings of pitch, loudness and tempo in real-time.

Interactions between musical parameters—local correlations of loudness–Y Although there are main effects of “training,” “loudness” and “tempo,” as well as two-way interactions between “loudness” and “training,” “tempo” and “training,” “pitch” and “tempo,” and “loudness” and “tempo,” the main focus here is on a highly significant interaction between “pitch” and “loudness” [ F (1.46,90.60) = 481.88, p < 0.001, partial η 2 = 0.89].

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